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The Picts - page 2

Inchbraoch stone
Inchbraoch no.1 stone

Jackson (1984: 14) reflects the romantic view:

'Just over a thousand years ago Pictish society disappeared as a distinctive entity but they left behind, as silent witness to their existence, a remarkable series of sculpted stones that is without parallel in Europe. The prime purpose of these standing stones was to display symbolic messages about their society but these, once public, statements are now most secret.'

There are several hundred stones extant which bear these symbols. The stones themselves range from roughly-dressed to carefully shaped slabs and some free-standing crosses. However, Jackson argues that the symbols and designs were relatively uniform, to such a degree that the 'masons used a pattern-book: actual or mental'. He goes on to conclude that such stereotyping indicates that they held the same meanings throughout the Pictish world while the upright nature of the stones indicates public statement. 'The only question is why, and what do they mean?'

Rosemarkie stone
Rosemarkie stone

Jackson sets out to provide a detailed and densely-written answer which Foster (2004) feels 'stretches both credulity and comprehension'. 

Since then, advances in our knowledge have come from rescue archaeology, field survey, aerial photography, 'historical, place-name and art-historical research, enhanced by interpretative analyses of this evidence from a variety of differing perspectives'. Foster argues that current opinion agrees with Leslie Alcock's description of the Picts as 'a typical north-west European barbarian society with wide connections and parallels' and that this was how they were viewed by their neighbours.

A dark age power centre at Rhynie in the September/October 2011 issue of British Archaeology describes excavations at a major Pictish site and discusses some of the implications such as:

"The Rhynie evidence also has implications for our understanding of trade networks and political relationships in sixth-seventh century Britain and further afield. The imported pottery is highly significant, for it has not been found in Anglo-Saxon or Pictish contexts to date, or east coast sites in Britain more generally, suggesting that Rhynie had political and trading links with the kingdoms of the west."

Hilton of Cadboll cross-slab
Hilton of Cadboll cross-slab


Foster, S.M. (2004), Picts, Gaels and Scots, Historic Scotland/ Batsford.

Jackson, A. (1984), The Symbol Stones of Scotland, The Orkney Press.

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  • Picts, Gaels and Scots

    Picts, Gaels and Scots

    by Sally M. Foster. A fully updated and expanded edition of a classic text on early Scottish history. From the 5th to the 10th century, Scotland was home to a variety of diverse peoples and cultures, all competing for land and supremacy. At the heart of the mystery of how Scotland became a single unified country lies the extraordinary influence of the Picts and their neighbours, the Gaels, originally immigrants from Ireland. Sally Foster uses the latest archaeological discoveries and interpretations as well as developments in historical, art-historical and place-name studies to explain how the Picts and Gaels became Scots and forged a nation. Available from: - UK Pounds - US Dollars - Canadian dollars - Euros - Euros

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